Gardner, Gerald B(rousseau) (1884–1964)

Gerald Gardner (1884–1964) English Witch and founder of contemporary Witchcraft as a religion.

Hereditary Witches and practitioners of family tradition witchcraft object to Gardner being credited as the “founder” of the religion of Witchcraft, pointing out that family traditions have existed for centuries.

Nonetheless, there is no evidence that the organized religion of Witchcraft and not simply traditions of folk and ceremonial magic mixed with occultism and fragments of pagan traditions, existed prior to Gardner.

Gardner was born into a well-to-do family in Blundellsands, near Liverpool, in England, on Friday, June 13, eighteen eighty-four.

His father was a merchant and justice of the peace, a member of a family that had made money in the timber trade.

According to Gardner, the family’s roots could be traced to Grissell Gairdner, who was burned as a witch in 1610 in Newburgh.

Gardner’s grandfather married a woman reputed to be a witch, and some of Gardner’s distant relatives were purported to have psychic gifts.

Gardner’s ancestral family tree also included mayors of Liverpool and Alan Gardner, a naval commander and later vice admiral and peer, who distinguished himself as commander in chief of the Channel fleet and helped to deter the invasion of Napoleon in eighteen thousand and seven.

The middle of three sons, the young Gardner was raised primarily by the family’s nurse and governess, Josephine “Com” McCombie.

He suffered severely from asthma.

Com convinced his parents to let her take him traveling during the winters to help alleviate his condition.

Com roamed about Europe, leaving Gardner to spend much time by himself reading.

When Com married a man who lived in Ceylon, Gardner traveled there with her and worked on a tea plantation.

Later, he moved to Borneo and then Malaysia to work.

In the Far East, he became fascinated with the local religious and magical beliefs and was drawn to ritual daggers and knives, especially the Malaysian kris, a dagger with a wavy blade.

He later wrote a book, Kris and Other Malay Weapons, published in Singapore in nineteen thirty-nine.

It was reprinted posthumously in England in nineteen seventy-three.

From 1923 to 1936, Gardner worked in the Far East as a civil servant for the British government as a rubber plantation inspector, customs official, and inspector of opium establishments.

He made a considerable sum of money in rubber, which enabled him to dabble in a field of great interest to him, archaeology.

He claimed to have found the site of the ancient city of Singapura.

In 1927 he married an Englishwoman, Donna.

The two returned to England upon his retirement from government work in nineteen thirty-six.

Gardner spent much time on various archaeological trips around Europe and Asia Minor.

In Cyprus, he found places he had dreamed about previously, which convinced him he had lived there in a previous life.

His second book, A Goddess Arrives, a novel set in Cyprus and concerning the worship of the Goddess as Aphrodite in the year 1450 b.c.e., was published in nineteen thirty-nine.

In England, Gardner became acquainted with the people who introduced him to the Craft.

The Gardners lived in the New Forest region, where Gardner became involved with the Fellowship of Crotona, an occult group of Co-Masons, a Masonic order established by Mrs Besant Scott, daughter of Theosophist Annie Besant.

The group had established “The First Rosicrucian Theater in England,” which put on plays with occult themes.

One of the members told Gardner they had been together in a previous life and described the site in Cyprus of which Gardner had dreamed.

Within the Fellowship of Crotona was another, secret group, which drew Gardner into its confidence.

The members claimed to be hereditary Witches who practiced a Craft passed down to them through the centuries, unbroken by the witchhunts of the Middle Ages and Renaissance.

The group met in the New Forest.

Just days before World War II began in 1939, Gardner was initiated into the coven in the home of Old Dorothy Clutterbuck.

Gardner was intensely interested in magic and witchcraft and invested much time in extending his network of contacts in occultism.

He collected material on magical procedures, especially ceremonial magic, which he put together in an unpublished manuscript entitled Ye Bok of ye Art Magical.

In 1946, he met Cecil Williamson, the founder of the Witchcraft Research Centre and Museum of Witchcraft.

In 1947, he was introduced to Aleister Crowley by Arnold Crowther.

Gardner was especially interested in gleaning whatever he could from Crowley, who by then was in poor health and only months away from death.

Gardner obtained magical material from Crowley.

From this and other sources, he compiled his book of shadows, a collection of rituals and Craft laws.

Gardner claimed to have received a fragmentary book of shadows from his New Forest coven.

Crowley made Gardner an honorary member of the Ordo Templi Orientis (OTO), a Tantric sex magic order at one time under Crowley’s leadership, and granted Gardner a charter to operate an OTO lodge.

Gardner was prevented from being too public about Witchcraft because it was still against the law in England.

He disguised his book of shadows in a novel, High Magic’s Aid, published in 1949 under the pseudonym Scire.

The novel concerns worship of “the old gods” but is mentioned by name only Janicot.

The Goddess had yet to make a major appearance in Gardner’s Craft—although he said that his coven worshiped the Goddess by the name of Airdia or Areda.

The anti-witchcraft law was repealed in 1951. Gardner broke away from the New Forest coven and established his own.

He became involved in Williamson’s Museum of Witchcraft in Castletown on the Isle of Man, officiating at its opening and serving for a time as its “resident Witch.”

In 1952, he bought the museum buildings and display cases from Williamson and operated his own museum.

In 1953 Gardner initiated Doreen Valiente into his coven.

Valiente substantially reworked his book of shadows, taking out most of the Crowley material because of his “name stank” and giving more emphasis to the Goddess.

From 1954 to 1957 Gardner and Valiente collaborated on writing ritual and nonritual material, a body of work that became the authority for what became known as the Gardnerian tradition.

Gardner’s first nonfiction book on the Craft, Witchcraft Today, was published in nineteen fifty-four.

It supports anthropologist Margaret  Murray’s now meritless theory that modern Witchcraft is the surviving remnant of an organized Pagan religion that existed during the witch-hunts.

Murray wrote the introduction for Gardner’s book.

The immediate success of Witchcraft Today led to new covens springing up all over England and vaulted Gardner into the public arena.

He made numerous media appearances, and the press dubbed him “Britain’s Chief Witch.”

He loved being in a media spotlight, which cast him in the curious position of initiating people into a “secret” tradition that was then spread all over the tabloids.

The publicity, much of it negative, led to a split in his coven in 1957, with Valiente and others going separate ways.

In 1959 Gardner published his last book, The Meaning of Witchcraft.

In 1960 he was invited to a garden party at Buckingham Palace in recognition of his distinguished civil service work in the Far East.

The same year, his wife (who never joined the Craft or participated in any of its activities) died, and he began to suffer again from asthma.

In 1963, shortly before he left for Lebanon for the winter, he met Raymond Buckland, an Englishman who had moved to America and who would introduce the Gardnerian tradition to the United States.

Gardner’s high priestess, Monique Wilson (Lady Olwen), initiated Buckland into the Craft.

On Gardner’s return home from Lebanon by boat in 1964, he suffered heart failure and died at the breakfast table on board the ship on February 12th.

He was buried ashore in Tunis on February the thirteenth.

Wilson and her husband operated the museum for a short time and held weekly coven meetings in Gardner’s cottage.

They then closed the museum and sold much of the contents to the Ripley organization, which dispersed the objects to its various museums.

Some of the items have since been resold to private collections.

Valiente describes Gardner as a man “utterly without malice,” who was generous to a fault and who possessed some real, but not exceptional, magical powers.

His motives were basically good and he sincerely wanted to see “the Old Religion” survive.

Others, such as Williamson, saw him as manipulative and deceitful, not above fabrication in order to accomplish his objectives: to establish an acceptable venue for his personal interests in naturism and voyeuristic sex.

Gardner was a nudist, and the ritual nudity in the Craft is likely to have been one of his inventions; hereditary Witches say they have worked robed.

Unfortunately, Gardner’s personal papers prior to 1957 no longer exist.

He destroyed them at Valiente’s urging during the aforementioned period of unfavorable publicity.

From the 1960s onward, Witchcraft, the religion, continued to grow and spread around the world.

Initially, new Witches accepted Gardner’s assertion of an old and unbroken heritage, but that was soon exposed as unfounded.

The Gardnerian tradition has inspired other traditions, and Witchcraft has taken on a life of its own as a predominantly Goddess-centered mystery religion, part of a larger reconstruction and revival of Paganism.

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